Albums most popular in the United States●Indian Classical

Tracks: 10 Release date: 2007-08-07 $7.99

Comments

1. I wake up to Sarangi (Track ) every day - I use Sarangi (Track ) every day as my alarm clock. Way better than any sound out there because it’s relaxing and it wakes you up without jolting you out of bed. And then you can wake up and let your alarm play you a good tune for a while before you get up and get on with your day.
2018-03-29

2. Music for Deep Relaxation - This best-selling release from Music for Deep Relaxation captures the unspoiled purity of the classical Indian flute accompanied by the violin. The simple and powerful improvisational melodies were specifically played to bring the listener into a place of stillness and calm. The flute and violin are masterfully played by V.K. Raman and Mysore V. Srikanth, respectively. Both musicians are extremely dedicated and accomplished in their field and poured their whole heart into this recording. Each CD from Music for Deep Relaxation is made with the utmost purity and integrity of sound, bringing to life music that is truly inducive for meditation and relaxation. We invite you to explore each one.
2009-11-02

3. One of the greatest albums I've Heard - This is one of the greatest albums I've heard. And I like (or liked at different times) a lot - from Andrea Bocelli to AC/DC to Deep Purple to to Rihanna to Tiesto to Shpongle). Very simplistic, very "basic" - only background "buzzing" and flute/violin/both, but one more instrument would spoil it. Musicians are real virtuoso, the tune gently floats, creating unique atmosphere great for relaxing, sleeping or simply as background. I don't know whether they improvise or it is the script, but the patterns morph as composition progresses, feels very natural. Definitely worth the money. What is also good - you can buy it in DRM-free MP format - reward the musician without wasting plastic (CD).
2008-11-28

4. Very nice instrumental album - I know a little bit about music and this is quality stuff. The instruments are played with passion and the production value is high. There are lots of albums marketed for relaxation which just throw together some synth and nature sounds and it is supposed to be relaxing. Support artist who put out intelligent music like this.
2008-10-19

5. Good concept, bad execution - Creating soft instrumentals for relaxation is a good concept that this album is based on. The flute player does touch us deeply. However, this album has many drawbacks which could have been avoided: there is too much synth / echo in some tracks (in fact, synth could have been fully avoided, without losing the impact), some places flute and violin do not blend well - flute is very soft but the violin is too exuberant. Some ragas seem to end too soon, creating a feeling a discomforting feeling of "dropping off the cliff". Suggestion: how about making another relaxation album just with the flute, probably with longer tracks?
2008-08-31

6. Destined to be A CLASSIC - This is destined to become a classic. I love the production value of the project, while preserving the integrity and beauty of Indian music. The combination of flute and violin is unorthodox but exiting, calming and it somehow works. Looking forward to their working together again and producing more exiting content. Congratulations!
2008-06-16

7. A start of a journey of discovery - I am new to Yoga and to Indian philosophy and culture and I am really exited as to what I have been encountering. This music is exiting and different from anything else I have heard. Not all tracks are created equal though. My favorites are "Relaxing into The Breath" and the Durga Series. Looking forward to more content from this team.
2008-06-16

8. Exiting and Peaceful - I love when people get out of their comfort zones and produces something classical but also unique at the same time. I find the combination of flute and violin without any percussion very interesting and effective. The music reminds me of my time in India but at the same time has a subtle but wonderful western production value. Calming and beautiful. Congrats!
2008-06-10

9. Doesn't grow on me - This album appeared to be quite soothing in the first few listens but started appearing incomplete over a period of time. I prefer outright Indian classical music over these short pieces. Some great ragas I find good for relaxation are: Yaman, Bhoopali, Ahir Bhairav, Kedar, Puriya Dhanashree, Malkauns, Manjh Khamaj, Pahadi, Jog.
2008-05-01

10. Too much of echo mixing ruins the show - Highly melodic Indian tunes are ideal for relaxing. Flute and violin are quite well played here but the whole album is marred by excessive echo mixing which creates an irritating effect, rather than relaxing. This is especially true if you play this music on a good set of speakers. I would have given stars if not for this issue.
2008-04-06

11. Good, but could be better - It's good to see Indian classical music being promoted. It really deserves it. I like flute and violin as solo instruments. However, I am not a fan of flute & violin duet as much as flute and santoor, which really go very well together and are much better than violin as far as relaxation is concerned. V.K. Raman & Srikanth are promising young musicians and they have played well here. If you got started with Indian music through this album, I highly recommend "Valley Recalls" [an amazing live concert by maestros Hariprasad Chaurasia & Shivkumar Sharma] and "Flying Beyond" [a thoroughly meditative bamboo flute solo by Hariprasad Chaurasia]. Let me add that I am just a listener and not a promoter.
2008-04-01

12. Cooling meditative sounds, a breath of fresh air - This is a great start to Classical Indian Music. I think there is not nearly enough appreciation in the US for Classical Indian music and I think it is SO amazing. An ancient tradition which works even in the subtle levels of the soul. In the Yogic tradition there is the idea of Nada or unstruck sound. The sounds one can spontaneously be heard in meditation. And one such sound is the elegant music of the Bamboo flute. I find the sound moves my heart and spirit. But you don't need to be into yoga and classical indian music to apprecitate this. I wish more products like this were produced. A breath of fresh air.
2008-03-28

13. A starter - If this album has given a good start for you in Indian music, that is great. But this is just a beginning. Explore further and sample the music of greats like Ravi Shankar, Shivkumar Sharma, Hariprasad Chaurasia, T. N. Krishnan, Lalgudi Jayaraman, Jasraj, M. S. Gopalakrishnan etc. There is a whole new world to this raga music.
2008-03-05

14. Not all that tracks that great - This is a good album but not all tracks are equally great. The best tracks are , , and , which feature Raga Durga which is very joyful and soothing. I will rate all these tracks with stars. The tracks don't flow very smoothly because the choice of ragas is not that great. For example, Durga is joyful whereas Keeravani (also called Kirwani) is full of pathos and hence not very suitable for meditation (it has a potential to make you sad and nostalgic). I agree with the other reviewer that long tracks are better suited for relaxation. For that matter, this album could have just featured Raga Durga. And the combination of flute and violin isn't always great. Flute is the most soothing instrument. The artists (not 'Music for Deep Relaxation' but V.K. Raman & V. Srikanth!) are great but this album could have been produced much better than this. Bigges complaint: the choice of ragas. Don't care too much for what is in brackets -- it is just a catchy phrase!
2008-02-27

15. Interesting Classical Blend - When I heard this album initially I could not really the grasp the core feel of the album. It was relaxing alright, but that is just one part of the album. This album has grown quite a bit on me overtime. Beware music listeners this album is highly addictive :). Listening to Abheri, I cannot afford to not play it on a loop on itunes :).. Unbelievable softness depth ambience in flute not commonly heard. I would say this album is worth for its abheri piece alone :). That being said the other Ragas have been expertly executed. They each have a different feel... I like to listen to each track at different times. I would say if you previewed some of the songs including Abheri you will have a decent idea of what to expect :)...
2007-10-31

16. Classical Indian Flute & Violin Music for Deep Relaxation - The music is deeply beautiful, it makes my eyelids heavy, wanting to close and let my gaze turn inward to see what is happening in my inner world. It stills my mind and reminds me of sitting in my meditation teacher's presence in the marble courtyard in India. It calls my heart to remember why I am really here in this world. Thank you for creating this enchanting music! Encantada...........
2007-10-24

17. not typical new age - Thank god there is a relaxation recording without synth. I really like this cd because it is all acoustic and is something classical (as apposed to the typical relaxation stuff you find with synth, dolphin sounds, etc etc.) It is very Indian- which I like- and very good for relaxation. I wish there were longer tracks though.
2007-10-03

18. Really gorgeous and unique! - This is a unique recording. I have never heard the flute played with violin in such a simple and exquisite manner. This music is really soothing and relaxing. I laid down after work and played this CD and I felt very rested and rejuvenated. The masters that played the music really go deep into the limitless depth and beauty of classical Indian music.
2007-08-13

Tracks: 8 Release date: 2007-11-29 $7.92

Comments

1. Calming Flute - I found this album featured on the World music page and decided to purchase it based on my love of Indian music. I found Raman's to be an excellent flautist and the album features a nice mix of ragas. I particularly enjoyed the Ahir Bhairav (Sunrise in India) track, as well as Mohana Kalyani.
2011-07-18

2. Splendor of Meditation - This recording captures the unspoiled purity of the classical Indian flute accompanied by the tamboura and ocean waves. The simple but powerful compositions bring the mind to an exquisite place of stillness, refreshing your whole being and turning the attention within. The flute is masterfully played by venerable V.K. Raman, one of the greatest musicians of classical Indian flute alive today. He not only is an accomplished musician but a yogi who poured his whole heart into the project. The Indian classical flute developed independently from its Western counterparts. Made with bamboo, Indian flutes are keyless. There are two main varieties used--both played in this recording. The first is the Bansuri, used predominantly in Hindustani music. The second is the Venu, which is mostly used in Carnatic style, the music of the South of India. Each track has a different raga improvisation which has the power to soothe the mind and has the power to bring the body to a state of complete calm and relaxation. Each Splendor of Meditation CD is made with the utmost care and integrity of sound, designed to induce pure relaxation. We invite you to explore each one.
2009-11-02

3. Music to knit to! - This is a great cd for when I want to sit and relax with my knitting. It makes me feel as if I am truely meditating while practicing my craft, making it more than just a hobby. I highly recomend this music for anyone else whether you are a craftsperson, artist, writer or if you are just looking for music that is calming and theraputic.
2009-03-08

Tracks: 5 Release date: 1958-01-01 $4.99

Tracks: 18 Release date: 2010-08-09 $9.99

Tracks: 7 Release date: 1991-01-01 $6.93

Comments

1. Sitar at top - Nikhil Banerjee is a Sitar exponent who had been famous for his sweet tone sitar and a very talented musician himself. Raga Nat Bhairav is specially very sweet and cant stop listening to it again and again. What a bargain is this album ! The folk tune at the end depicts the eastern Indian influence on this artist's Sitar playing, he being from that region. I was able to relate the tune with many songs from the Indian Hindi Cinema. very nice !
2007-01-23

Tracks: 12 Release date: 2006-07-25 $5.99

Comments

1. Rhythm unleashed - If you're interested in exploring the boundaries of how rhythm can be melodic, graceful, and profoundly powerful then check this out! Zakir is the master of rhythm, navigating realms yet untold. Very intricate, very complex and yet tangible in its expression. Let the sounds and beats of the tabla take your attention completely.
2007-01-22

Tracks: 3 Release date: 1988-01-01 $2.97

Comments

1. A brilliant, magical compilation - Shivkumar Sharma shows his sublime, mesmerizing ability on santoor. Whether stargazing the night sky through a telescope on your back porch, putting a small one down to sleep to some low volume music, or just your own silent meditation, the master does not let down! I am not a "new-ager", but one needs not to be to appreciate the technical mastery Shivkumar Sharma displays!
2007-11-25

2. Magical hands - I am stunned by the unbelievable technical brilliance of the artist in this album. A real feast for listeners who love melodious and happy music. Whether you are looking for slowly unfolding music with no beats (track ) or if you are looking for fast-paced rendition with tabla beats (track ) you will find this album very absorbing. The third track has a nice folk touch, very relaxing.
2007-03-15

3. Original inlay notes - Raga Gorakh Kalyan is an uncommon but beautiful Raga. Only six notes are used. The third and fifth notes are omitted, the seventh note is flat, and the rest of the notes are major. Some musicians occasionally use the fifth note also but in this version the fifth note is not used at all. That gives this Raga a distinct character of its own. The basic mood of this Raga is romantic. Details of playing: Alap, Jod and Jhala in part one is followed in part two by two compositions in Jhap Taal, a ten beat rhythmic cycle, and in Teen Taal, a sixteen beat rhythmic cycle. (However, this EP omits the Alap in the first track and the Jhap Taal Gat in the second track.) The concluding piece is based on a Dogri folklore from Jammu, Kashmir which is in Raga Mishra Pahadi and in Taal Dadra, a six beat rhythmic cycle. Shivkumar Sharma Born in Jammu, Shivkumar Sharma was brought up in an atmosphere rich in compositions and rhythm. His father, Pandit Uma Dutt Sharma, was an exponent of the Benares tradition of vocal music and a famous percussionist. He first initiated Shivkumar Sharma into vocal music and percussion instruments, and later coaxed him to take to Santoor. Shivkumar started to study and exploit Santoor's possibilities after he had overcome his initial lack of interest for this instrument. At the beginning of his career as Santoor player, Shivkumar fought an intense and lonely battle against the rigid and orthodox world of classical Indian music which declared that Santoor was totally unsuited to the demands of it. It ended in his rising to the position of a musician commanding respect in the most scholarly circles for the depth of his musicianship. In his approach to music Shivkumar takes no liberties with the Ragas and follows the correct traditional Dhrupad style of Alaap, Jod, and Jhala. He maintains a perfect balance between Sur (melody) and Laya (rhythm). Shivkumar is one of the few Indian musicians to enjoy a global reputation. Shafaat Ahmed Khan is one of the most brilliant and popular young Tabla players of India. He belongs to Delhi School of Tabla Playing and had his training under his father Ustad Chhamma Khan. He is a versatile Tabla player, equally at ease while playing solo, or accompanying an instrumentalist, a vocalist, or a dancer. He has accompanied almost all the leading musicians of India. He plays regularly with Pandit Shivkumar Sharma and has made many albums. (Sadly, Shafaat passed away in July ). -Nikhil Chatterjee
2007-01-24

4. A Night time Jewel - Gorakh Kalyan is a night time raga from the time-raga scheme of playing. Simply exotic raga and it comes out really good on Santoor when in able hands of the legendry Pandit Shivkumar Sharma. The Santoor sounds as if it is singing the melody as such in this performance. The technique of Glide or "Ghaseet" is very prominent in the Aalap where the raga is introduced and rendered and explored. This raga is very meditative and devotional in nature and those who have heard the traditional devotional songs from India can relate to some of them. One of the famous Marathi songs “Mogara Fulala” by Pandit Hridaynath Mangeshkar is based on this raga. The mood there is also devotional. Ustad Shafaat Ahemad Khan brings in an amazing Tabla accompaniment in the second piece of the album when he plays the Jhaptaal ( beats) followed by Teental ( beats). Very good sound quality and mixing ! enjoy !
2007-01-23

5. Santoor really hypnotizes you in this album - Gorakh Kalyan is one of the most melodious and romantic ragas and it is simply magical on the santoor. Shivkumar Sharma is at his usual best and Shafaat Ahmed Khan's tabla sounds very good. The lilting "Dogri Folk Tune" is another signature track of the maestro. If you love melodious music, definitely check this out.
2007-01-18

Tracks: 25 Release date: 1997-12-31 $9.99

Comments

1. Not what it may seem - These are not complete songs! Almost every track is a sound byte out of a much larger piece of music. Just as soon as you get into a track it will fade out and another "song" will start up at some random place and leave you just as unsatisfied. There is nothing wrong with this music, only the compiler. The music, what little you're allowed to hear, is beautiful. This CD would be like somebody taking their favorite : out of each Beethoven piano sonata and sticking it on a disk - If you are a dedicated musician or listener and are familiar with the incredible canon of Indian classical music you will be dissapointed.
2008-04-05

2. Go further... find more jewels! - This is definitely a good starting point for music lovers to start with Indian classical music. The artists featured here are all very great and they represent different styles and instruments used in Indian classical context. It is a great idea to explore their albums after listening to these samples. My most favorite instrumentalists are: Ravi Shankar Shivkumar Sharma Hariprasad Chaurasia Ali Akbar Khan Nikhil Banerjee Zakir Hussain Bismillah Khan U Srinivas And Vocalists: Jasraj [one of the most melodious and deep voices] Rajan & Sajan Mishra Bhimsen Joshi M. Balamuralikrishna [especially his devotional songs]
2007-05-05

3. A window into the sublime world of Indian classical - This album is good as a sample, an excellent choice for listeners who are new to Indian classical music. The best thing is that so many maestros of both North & South Indian classical music are covered here. Also, it gives a good intro to so many different instruments and styles.
2006-12-30

Tracks: 4 Release date: 1988-12-31 $5.99

Comments

1. The king of Bamboo flute, the emperor of Raga Malkauns! - When it comes to seriously spiritual domain of Raga Malkauns, few instruments come close to the flute. Coming from the greatest exponent of the bamboo flute, and being a live performance, and to top it all, being accompanied by Zakir Hussain on tabla, Malkauns in this album is probably the best ever you will hear. Highly recommended.
2008-04-18

2. Amazing - I have always been a fan of Raga Malkauns. Hariprasad Chaurasia is known for his soul-stirring rendition of this raga and he does very well in this live album. Zakir Hussain's sensitive accompaniment on tabla adds yet another dimension to this powerful music. Recommended both for beginners and seasoned listeners of Indian classical music.
2008-03-27

Tracks: 8 Release date: 1993-12-31 $7.99

Comments

1. Last two tracks are repeats - I thought that's worth mentioning as the Itunes store's display of track names is truncated, especially if you visit from your phone. The last two tracks are the whole concert repeated in "continuous" (no track breaks) version. Great concert, great recording, but personally I would have skipped the repeat tracks.
2019-09-16

2. Very intriguing piece of classical music - Raga Rasik Priya is really an exquisite raga -- I haven't heard anything similar to this on instruments. It is very emotional and lingers in your mind for ever. It also speaks volumes of the brilliance of this legendary maestro, Shivkumar Sharma. A must-have for anyone who likes santoor.
2007-02-04

3. Original inlay notes - Santoor and Pandit Shivkumar Sharma are synonymous - an equation accepted by music lovers all over the world. But when one ponders over it, he truly comes across many revelations. It is not only the melodic contents of Santoor that you hear when those magic hands move swiftly caressing the strings but you feel the whole personality vibrating around you. The essence of a particular Raag with its emotional appeal is so earnestly and sincerely portrayed that it turns into an experience to be cherished for a long time. Truly, the personality and Raag manifestation vividly bring about the sense of oneness. As the element of rhythm is slowly introduced, it turns into vibrant experience trying to relate your existence with the balance in nature around you. Simple patterns to begin with, though ultimately tend to become intricate, do not miss their original charm and continue to please you as long as one does not try to analyse the mathematics behind it. This is because the proper selection of melodic patterns and its intelligent blending with the rhythmic intricacies is so effectively done that one gets totally engrossed and attains the spiritual state of mind till this joyous journey arrives at SAM (first beat of a particular tala/rhythmic cycle). The journey towards the climax is so well conducted with occasional flourishes of verve and vigor punctuated by delicate touches and pauses that it transforms into a fulfilled, satisfied experience resulting into thunderous applause denoting oneness between the artist and listeners. Pandit Shivkumar Sharma about the Raag: Rasik Priya is a lesser known Raag of Carnatic Music. It has got a very unusual scale. The second and sixth notes are totally ommitted. Both the third and both the seventh notes are used one after the other. There is no such Raag are even similar Raag in North Indian Music. But this is a very beautiful Raag. Certain Carnatic Raags have become quite popular in North Indian Music like Hamsadhwani, Kirwani, Charukeshi etc. but I do not think Raag Rasik Priya has ever been played by a North Indian Musician. I believe in one theory that each Instrument has got its own dominant personality that means a particular Raag or combination of notes sounds better on a particular Instrument. And I feel the Raag Rasik Priya sounds very beautiful on the Santoor. I personally like this Raag and have tried to give it a particular colour or treatment, which might sound some what different to a Carnatic music listener. But that is my interpretation of this Raag which I have maintained throughout the performance. The beauty and speciality of Indian Classical Music is its unplanned improvisation. And that aspect of our music comes out at its best in a live concert recording. Because the instant reaction of the audiance is very inspiring for the musician. This concert starts with Solo improvisation called Alap, Jor, and Jhala which is played to create the mood of the Raag and is a very essential part of our music. This is followed by three compositions in slow, medium, and fast tempo. All the three compositions are in beat cycle called Teen Taal. As usual Zakir Hussain has provided a very inspiring accompaniment on the Tabla with total understanding of the sentiments of my music, which is his forte.
2007-01-30

4. Rasik Priya - Love of Lovers - “Rasika” means someone that appreciates and adores various forms of arts, poetry, beauty etc. “Priya” is a thing that is dear to someone. “Rasika Priya” means something that is dear to all those who appreciate. What a beautiful concept and a name for a raga! And to top that here is an album presenting this raga by the legendary Indian classical musician Pandit Shivkumar Sharma who is known for his works with the instrument ‘The Santoor”. Santoor is a romantic instrument and Panditji’s music has the power to bring out some amazing moods and feelings through medium its hundred strings. Like many other ragas that are originally Indian Carnatic style, this raga also has crossed over to the North Indian style and Panditji has presented it in his own style that is very unique, gentle, serene and romantic. The first minutes bring out the nature of the raga in the form of Aalap, Jod and Jhala that creates the stage for what is to follow. This is a trip that can take your imagination on a superb journey. Ustad Zakir Hussain, who is none other, than a pleasant dream that occurred to the Indian rhythm and percussion instrument the “Tabla”, graces this album with his most appropriate, supportive and yet outstanding accompaniment. Panditji chooses the slower version (“Vilambit”) of the beat rhythmic cycle “Teentaal” followed by the faster (“Drut”) “Teentaal”. Finally, My hats-off to “Chhanda Dhara” label for the wonderful work they have done in bringing this and many such albums to millions of Indian classical music fans. Enjoy the album!
2007-01-23

Tracks: 3 Release date: 1996-12-31 $5.99

Tracks: 9 Release date: 1990-08-01 Genre:Indian > Indian Classical > Hindustani Classical $7.99

Comments

1. "Journey" Review - I absolutely love this album!!! If you are looking for something different, interesting, and, well, pretty odd, you will love this. The only reason I didn't give it a is because it can get a little old. Other than that, the instruments in this album sound very different...my favorite is a drum that sounds like bubbles.
2007-01-28

Tracks: 8 Release date: 1996-12-31 $7.99

Comments

1. Original inlay notes - Young Kala Ramnath, the contemporary torchbearer of the Mewati gharana, stands today among the most outstanding instrumental musicians in the North Indian Classical genre. Born into a family of prodigious musical talent, which has given Indian music such violin legends as Prof. T. N. Krishnan and Smt. N. Rajam, Kala's genius with the violin manifested itself from childhood. After the early tutelage under her aunt, Smt. N. Rajam, Kala put herself under the training of the Mewati vocal maestro, Pandit Jasraj. This has brought a rare vocal emotionalism to Kala's violin playing. Since , Kala has been making annual visits to the United States and Europe accompanying Pandit Jasraj and also presenting solo performances. During these visits, she has left an unforgettable imprint in the minds of discerning audiences. This CD shows Kala at her best with extraordinary fidelity. Vijay Ghate Vijay Ghate is the student of Pandit Suresh Talwalkar. He has accompanied many prominent artists in live performances and recordings. He has toured extensively in Europe, USA, and other parts of the world as a solo performer also. Kala presents two morning ragas in this album. Raga Bilaskhani Todi This is a blend of Raga Aasavari and Todi. It uses a flat seventh note (Ni) instead of a sharp note and omits the fourth note (Ma) that distinguishes it from the main Raga Todi. It also has a complete scale with the sixth note (Dha) dominant and the third note (Ga) subdominant. The artist presents three compositions. Raga Alhaiya Bilawal This Raga is derived from Bilawal thaat from which other ragas such as Alhaiya Bilawal, Devgiri Bilawal, and Kukubh Bilawal are composed. Alhaiya Bilawal makes use of all the natural notes and also the flat seventh (Ni) note in the descending scale. The sixth note (Dha) is dominant and the second (Re) and third (Ga) notes are subdominant. The artist presents two compositions in this raga. Recorded in digital format by Anant Vashikar at Shivaranjani Studio, Pune, India on February, .
2007-01-23

Tracks: 5 Release date: 1986-06-01 $5.99

Tracks: 2 Release date: 1994-08-09 $9.99

Comments

1. A desert island disc: Magnificent - The artists are probably the two greatest classical Indian musicians of the past generation. This recording represents some of their very best work. I know of no other duet recordings from this pair, but I have a couple of dozen of their solo recordings. None of the the solo recordings contains the wonderful mix of joyfulness, technical skill, and playfulness of these magnificent duets. Both Khan and Banerjee made many wonderful recordings as soloists, but the excitement of these duets has never (in my hearing) been surpassed.
2015-06-27

2. Ali Akbar Khan, Signature Series Vol. - This one of the great recordings by Ali Akbar Khan, one of the greatest Sarod Players of all time (second only to his father, Ustad Allauddin Khan, the teacher of some the greatest musicians of India, including Ravi Shanker). Nikhil Banerjee, the accompanist is also very well known and is also a student of Ustad Allauddin Khan. They have known each other a long time and played together for years. I had an occasion to hear Ustad Ali Akbar Khan play Raga Mishra Mand at the University of Minnesota a long time back (in the s). The memory of that concert and this particular Raga is still fresh ( years later). That is how powerful his mastery is and how remarkable this recording is.
2006-12-18

Tracks: 3 Release date: 1984-12-31 $5.99

Tracks: 3 Release date: 2013-05-14 $9.99

Tracks: 4 Release date: 1987-12-31 $5.99

Tracks: 7 Release date: 2007-04-03 $7.99

Comments

1. Album More Than Fulfills Its Promise - The laws of sound alliance discovered by ancient India are fully manifest in this album. What a wonderful collaboration between Sultan Khan and Zakir Hussain! The soul is tremendously spirited away on wings of love and joy as the music unfolds. Thank you from a grateful devotee.
2007-08-20

Tracks: 3 Release date: 1990-02-14 $9.99

Comments

1. Ali Akbar Khan ,signature series volume - An amazing recording. Ali Akbar Khan was, as far as I'm concerned, the greatest Indian musician of the th century. This is another one of the albums that was recorded by a company called connoisseur society back in the s, and it should be compulsory listening for anybody who is interested in the music of India and wants to hear what somebody on the level of Bach sounds like playing Indian music. It's a whole different experience of Indian music, and if you've never experienced the genius of Ali Akbar Khan, you owe it to yourself to hear this. Several times.
2010-09-29

2. A Tempest of Tunefulness - I have been watching this album for a year now and I cannot believe that it has gone without comment. There seems to be no shortage of Classical Indian fans on iTunes, which baffles me even further. If anyone is searching for one album to add to their collection as representative of either sarode music or Ali Akbar Khan, I would recommend this one. Medhavi alone is worth the purchase. Ustad Khan's father game him the title "Emperor of Melody" - these ragas demonstrate why.
2007-06-25

Tracks: 4 Release date: 2002-05-21 Get

Tracks: 5 Release date: 1988-12-31 $7.99

Comments

1. Maestros together - This music is amazing - soulful vocals of Jasraj and sensitive tabla accompaniment by Zakir Hussain. It's a rare combination because Zakir is mostly seen with instrumentalists. Nayaki Kanada is a majestic and romantic raga and it is sung in Jasraj's usual classical style. Adana is more heroic and deeply spiritual and for those who worship Goddess Kali, the lyrics of "Mata Kalika" could be really deep. Bhimpalasi is on the lighter side but still is devotional. Most of vocal concerts end with a Bhajan and this album is no exception to that. Bhairavi leaves a lasting impression on the audience.
2008-06-12

Tracks: 3 Release date: 1998-12-31 $5.99

Tracks: 10 Release date: 1987-01-01 Get

Comments

1. The magic of rhythm and melody - Recorded during Zakir Hussain's younger days, this album brings out the best of his wizardy on tabla, as well as the virtuosity of Sultan Khan's golden bow. Malkauns sets a serious classial stage and it is followed by two energetic tabla solos, and the album's conclude peace is a light classical folk tune from Rajasthan. Beautiful album.
2008-08-13

Tracks: 7 Release date: 1998-12-31 Get

Comments

1. Wonderful double album featuring live santoor & flute duet! - Shivkumar Sharma & Hariprasad Chaurasia -- what a combination! Such musicians are born may be once in a hundred years. Both of them are absolute masters of their chosen instruments - santoor & bamboo flute, respectively. It is very appropriate to say that these two great musicians have given a new dimension to Indian classical instrumental music -- something that could be compared with the contributions of their senior and role model: legendary Ravi Shankar. This double album is the live recording of October concert at The Royal Festival Hall, London, organized to celebrate India's years of Independence. Rasdhara (a Sanskrit phrase - "rasa" is the mood or essence of feeling, and "dhara" is the stream) is a classical masterpiece. The ragas presented are Jhinjhoti and Kirwani - both are deeply emotional and especially suited for santoor & flute. Jhinjhoti: This raga creates a feeling of exreme yearning and nostalgia. The maestros give a very detailed touch to it: with Alap, Jod, Jhala sequence (which confirms to the ancient Vedic tradition of "Dhrupad"). Alap is a free flowing "whisper" of the raga. Jod is a continuation of Alap which has a pulse. Pakhawaj joins in the Jod phase, giving a majestic touch. Jhala is the extension of Jod where the playing picks up more speed and the progression of notes travels toward a crescendo. Alap, Jod, Jhala unfolds the raga and establishes the mood. This is followed by a Gat ("Gat" is a short form of Sanskrit term "Gati" which means movement), set to an unusual rhythmic cycle called "Matt Taal" of beats. Gat is a great journey in the mood of the raga, with an exuberant climax. Pakhawaj player (Bhavani Shankar) gives a great support throughout the Gat. Kirwani: This is a very popular raga, especially on instruments, and a forte of both maestros. Kirwani is deeply emotional - pensive and pathos in slow tempo, exuberant and joyful in the fast tempo. The raga is treated to an expansive minute Alap, followed by two Gat compositions set to medium tempo (also called Madhya Laya) Rupak Taal of beats and fast temp (Drut Laya) Teen Taal of beats. The Gat phase is accompanied by Shafaat Ahmed Khan on Tabla. HPR: Apr
2006-04-16

Tracks: 3 Release date: 1990-02-14 $9.99

Tracks: 2 Release date: 1995-12-31 $5.99

Comments

1. Nikhil Banerjee at his usual best - Rageshree is a thoroughly beautiful raga and it shines through the magical hands of Nikhil Banerjee in this album. The treatment is elaborate with a long alap and jod sequence followed by a beautiful slow teen taal gat and to sum it all, a fast gat. Anindo Chatterjee is very good on the tabla. Definitely a collector's item.
2008-04-18

Tracks: 18 Release date: 1997-12-31 $5.99

Tracks: 5 Release date: 2003-01-01 $9.99

Tracks: 7 Release date: 1991-01-01 $7.99

Comments

1. Exotic Evening Raga - Exotic Evening Raga Puriya Dhanashri is an evening raga and brings out the mood of anticipation for a beautiful evening that would be coming in soon. Some feel this raga to be having a slight shade of separation or “Viraha Ras” from the different “Rasas” (moods) associated with Indian classical music. The combination “Ni Dha Pa” in descend brings in the flavor of anticipation, I guess. Panditji’s creativity has enthralled the audiences in past and here also the development of the raga is simply exotic and yet very careful. In true meaning he is the pioneer in making the Santoor an instrument that now enjoys the status along with the traditional Indian classical music instruments like Sitar, Sarangi etc and has given it the status of a very prestigious instrument. No Indian classical music conferences are nowadays without a Santoor performance and that just shows the popularity he has brought to this instrument single-handedly. This folk instrument now enjoys its status at the pinnacle as a result of his personal efforts. Ustad Zakir Hussain has like always, brought a special feel to the album by the virtue of his very talented accompaniment that truly brings a different shine on the overall performance. This is a very beautiful album and highly recommended to vivid listeners of Indian classical music.
2007-01-23

2. Original inlay notes - Raga Puriya Dhanashree This is an evening Raga derived from Thaat Poorvi (Parent Raga). All the seven notes are used i.e. it is a Sampoorna Raga. Second note (Rishabh) and sixth note (Dhaivat) are flat (Komal) whereas the fourth note (Madhyam) is sharp (Teevra). The fifth note (Pancham) is dominant (Vadi) whereas the first note (Sa) is subdominant (Samvadi). The basis mood of the raga is of longing, gentle persuation with a tinge of feeling of separation. Prelude: Alap, Jod, and Jhala movements in Raga Puriya Dhanashree. Compositions: Phase I (Slow Tempo) in Rupak taal, a rhythmic cycle of beats. Phase II (Medium Tempo) in Teen taal, a rhythmic cycle of beats. Phase III (Fast Tempo) in Teen taal, it is a faster version in beats. Pandit Shivkumar Sharma Recipient of Padmavibhushan and Sangeet Natak Academy Awards, Pandit Shivkumar Sharma, India's foremost performer on the Santoor, is known for making his concerts into exquisite and memorable events. From the meditative and delicate opening movements to the final crescento to rhythm and energy, he remains in perfect control of his instrument. With its many strings, the trapezodial santoor builds a vibrant texture of sound, the pure notes of the ancient Indian traditions ring out and tellingly express the full spectrum of human emotions. Pandit Shivkumar Sharma learned the santoor from his father, Pandit Uma Dutt Sharma, as well as the art of singing and drumming. Determined to adapt the subtle nuances and inflactions of Indian classical music to his instrument, he practised constantly developing a host of new techniques. Thus, his playing has not only an extraordinary versatility, but an expressive quality which has dazzled and captivated listeners around the world. No major music festival in India and abroad is considered complete without his participation, for he is that rare figure who combines the divergent strains of artistic purity and expressive innovation.
2006-12-21

3. A serenade of serenity - Shivkumar Sharma is rare genius who is known for his total mastery of santoor and raga music. This album, recorded in a German studio, is one of his best recordings. He performs the evening raga "Puriya Dhanashree" here. Puriya Dhanashree is known as a "Sandhi-Prakash" raga (Sandhi Meeting, Prakash Elightening) -- which means as something that enlightens us around the meeting point of day and night. So, it is especially suited for listening in the evening or early night. It has a very peaceful character, very humbling too. It is known to cure migraine. The second piece is a rustic light classical romantic tune, set to raga Pahadi, which is a specialty of the maestro. Throughout the performance, Zakir Hussain gives a great support on tabla, as he does always.
2006-12-19

Tracks: 6 Release date: 2005-03-28 $3.99

Tracks: 10 Release date: 1992-01-01 $9.99

Tracks: 5 Release date: 1994-12-31 $19.99

Tracks: 10 Release date: 2000-10-17 $5.99

Tracks: 4 Release date: 1999-12-31 $9.99

Comments

1. "Total Absorption" is Absolute Integration! - A splendid malhar beautifuly rendered by the greatest sitar player of the th century. Sri Nikhil Bannerjee's tone is immacultate and his approach to raag is subtle and strong, making this the best single recording of Surdasi Malhar I have ever heard. The vilambit gat includes brilliant svar vistar, lay vistar, and other fine things. The drut gat is cheerful and exciting--Bannerjee gives interesting straight tans and some very impressive and tricky gamak tans as well as excellent tihai. I recommend this album wholeheartedly to anyone who loves classical hindustani music.
2006-10-17

Tracks: 28 Release date: 2002-12-31 $11.99

Release date: 2003-12-31 $9.99

Tracks: 5 Release date: 1988-01-01 $9.99

Tracks: 10 Release date: 2007-04-10 $3.99

Tracks: 6 Release date: 2000-01-01 $8.99

Tracks: 6 Release date: 2001-12-31 $9.99

Tracks: 4 Release date: 2004-01-01 $9.99

Tracks: 11 Release date: 2001-05-14 $9.99

Comments

1. Not bad for what it is - Pandi Shankar had such a long life as a performer, with many uniquely creative records, that it's almost impossible to create a compilation that gives listeners of a comprehensive, concise taste of them all. This release attempts to do that with mixed success.. We hear Shankar's devout testament to tradition in his classic ragas, the chart favorites like "Friar Park," his experimentation with synth accompaniment, as well as his 'bridges' to other genres such as classical violin. This release does not successfully encompass every musical river he waded, but we do get a toe-in-the-water taste of his versatility and variety.
2013-02-21

Tracks: 5 Release date: 1989-12-31 $5.99

Tracks: 2 Release date: 1978-12-31 $9.99

Tracks: 6 Release date: 2001-01-01 $9.99

Tracks: 7 Release date: 1999-10-01 $7.99

Comments

1. Two beautiful ragas - In the hands of an incredible maestro like Chaurasia, all ragas take shape in their purest best and this album is no exception. Good studio recording makes it even better. I would buy it just for Shivaranjani, a very touching and melancholic raga that's a forte of Chaurasia. It is especially brilliant on bamboo flute (and santoor as well). Beginners, just take a sample of Track .
2009-05-06

Tracks: 8 Release date: 1997-12-31 $5.99

Comments

1. A wonderful introduction to Indian classical instruments - . Daya Shankar The Shehnai is the North Indian oboe. A double reed mouthpiece attached to a thin metal tube is fitted into the end of the instrument's body. The hollow wood body has seven fingerholes and is slightly flared, with a metal bell at the end. The ancestor of this instrument was the Persian surna or surnay, used in the outdoor court and temple ensemble called the naubat, which performed at fixed times of the day and for special events in medieval North India. Gujari Todi is also known as Gurjari is characterized by a repeated gliding movement between Re and Ga. The tonic Sa is avoided for several sequences of phrases and there is pronounced use of the predominant note Dha on which many phrases resolve. . Debashish Bhattacharya Western guitars have been known and used in India since at least the th century, and have been used in film and light music ensembles for several decades but the guitar was developed as a serious concert instrument in the last three decades or so by players in musical lineage of Ustad Allauddin Khan. Present-day Virtuosi such as Debashish Bhattacharya have helped make the guitar a popular concert instrument. Bairagi is grouped in the Bhairav family of early morning ragas. Bhairav is a fearsome incarnation of the god Shiva. A Bairagi is a female ascetic or enunciate. Raga Bairagi uses a pentatonic scale consisting only of the notes Sa Re Ma Pa Ni Sa (C Db F G Bb C) in both ascent and descent. Its character is serious and meditative. . Allyn Miner The sitar is one of the most common concert instruments of Hindustani music, and is India's most famous contribution to world music culture. The sitar was quickly adopted for use in accompaniment to song and dance, and soon professionals gave it some of the physical attributes of its predecessor the vina or bin. Durga is an evening rage named after the Goddess, the powerful and benevolent wife of Shiva. It uses the notes Sa Re Ma Pa Dha Sa (C D F G A C) in ascent and descent. Pa (G) is the most predominant note, and leaping phrases such as Sa Dha Ma Re, Sa Re Pa characterize the raga, giving it a bold yet delicate character. . Snehasis Mazumdar - Mandolin - Raga Hansadhwani The mandolin is rarely heard in North India, though it has become familiar in South Indian music in the hand of young virtuosi in the last few decades. Like the guitar, violin and harmonium, the mandolin came to India with Europeans in the th century. Hansadhwani, the voice of the swan, is a well-loved raga of South India. It was introduced into North Indian music in the last few decades and is now a standard part of the Hindustani repertoire. It is an evening raga using the notes Sa Re Ga Pa NI Sa (C D E G B C) in ascent ascent and descent. Its predominant notes are Pa and Re, and some of its characteristic phrases are Ga Pa Ga Re, Ni Pa Re Sa. . Arawind Thatte Ubiquitous in North India in accompaniment to nearly all classical and non -classical vocal music and dance is the harmonium, a free reed keyboard instrument brought to India from Europe in the mid th century. Khamaj is a beloved evening raga used for classical and semi-classical song and instrumental genres. Its ascending scale omits the note Re: Ni Sa Ga Ma Pa Dha Ni Sa (B C E F G A B C). In descent the flat instead of natural seventh is used and the second Re is added: (Sa Ni Dha Pa Ma Ga Re Sa (C Bb A G F E D C ). Tappa is a semi-classical song genre that originated in the folk music of the Punjab. It is akin to the more common thumri with its love lyrics and playful melodic phrasings, but is unique in its use of a profusion of fast trills, runs, and clusters of notes. Tappa is difficult to perform because of its demanding technique. . Tarun Bhattacharya The santoor or santur is a relatively recent concert instrument although it has a long history in South Asia. A hand-played box zither known as the quanum entered India as one of the instruments of Persian court music. In the last three decades the santoor has become one of Hindustani music's most popular instruments. Raga Bageshree, sometimes called Bageshwari, is an major night time raga played frequently in classical conserts. Its ascending scale is Sa Ga Ma Dha Ni Sa (C Eb F A Bb C) and the in movement in descent is more complicated Sa Ni Dha Ma Pa Dfta Oa Ma Ga Re Sa (C Bb A F G A F Eb D C). . Kala Ramnath The violin came to India with the Europeans and was taken up by Indian musicians notably Balusvami Diksitar of Madras, as early as th century. It has become one of the most important instruments of Karnatik music. Bhairavi is one of Hindustani music's most popular ragas and is used for classical, semiclassical, and devotional genres. A morning raga, it is also played or sung as the auspicious end to any concert or full performance. It is associated with feelings of devotion. The basic scale of Bhairavi is S R G M P D N S (C Db Eb F G Ab Bb c) in ascent and descent, but typically, other notes are added to create a wide repertoire of imaginative and lyrical phrasings. Bhajans are devotional songs with lyrics often describing the love between Krishna and Radha or the love of a devotee for Lord Rama or other such theme.
2008-08-27

Tracks: 5 Release date: 2006-07-25 $9.99

Comments

1. An unparalled masterpiece - For those who revere Ustaad Vilayat Khan and his unique sitar playing style which is like jhankars from multiple sitars, this is a divine gift. Just look for his vocal rendition of Darbari in the first seconds of the third segment "Drut Gat in Teental". Vilayat Khan Sahib sang this heart rendering piece at the spur of moment in this live performance while in waning years of life. From where did this energy come? Truely inspiring! I would say this album is priceless. Ravi Kapoor
2012-10-24

Tracks: 3 Release date: 1991-01-01 $9.99