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Lieder: 5 Erscheinungsdatum: 1986-06-01 4,99 €
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Lieder: 4 Erscheinungsdatum: 1987-12-31 4,99 €
Lieder: 9 Erscheinungsdatum: 1990-08-01 Genre:Indisch > Indische Klassik > Klassische hindustanische Musik 6,99 €
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Lieder: 12 Erscheinungsdatum: 1996-02-14 8,99 €
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Lieder: 8 Erscheinungsdatum: 1996-12-31 6,99 €
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Lieder: 5 Erscheinungsdatum: 1989-12-31 4,99 €
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Lieder: 8 Erscheinungsdatum: 1993-12-31 6,99 €
Lieder: 7 Erscheinungsdatum: 1991-01-01 6,99 €
Kommentare
1. Original inlay notes - Raga Puriya Dhanashree is an evening Raga derived from Thaat Poorvi (Parent Raga). All the seven notes are used i.e. it is a Sampoorna Raga. Second note (Rishabh) and sixth note (Dhaivat) are flat (Komal) whereas the fourth note (Madhyam) is sharp (Teevra). The fifth note (Pancham) is dominant (Vadi) whereas the first note (Sa) is subdominant (Samvadi). The basis mood of the raga is of longing, gentle persuation with a tinge of feeling of separation. Prelude: Alap, Jod, and Jhala movements in Raga Puriya Dhanashree. Compositions: Phase I (Slow Tempo) in Rupak taal, a rhythmic cycle of beats. Phase II (Medium Tempo) in Teen taal, a rhythmic cycle of beats. Phase III (Fast Tempo) in Teen taal, it is a faster version in beats. Pandit Shivkumar Sharma Recipient of Padmavibhushan and Sangeet Natak Academy Awards, Pandit Shivkumar Sharma, India's foremost performer on the Santoor, is known for making his concerts into exquisite and memorable events. From the meditative and delicate opening movements to the final crescento to rhythm and energy, he remains in perfect control of his instrument. With its many strings, the trapezodial santoor builds a vibrant texture of sound, the pure notes of the ancient Indian traditions ring out and tellingly express the full spectrum of human emotions. Pandit Shivkumar Sharma learned the santoor from his father, Pandit Uma Dutt Sharma, as well as the art of singing and drumming. Determined to adapt the subtle nuances and inflactions of Indian classical music to his instrument, he practised constantly developing a host of new techniques. Thus, his playing has not only an extraordinary versatility, but an expressive quality which has dazzled and captivated listeners around the world. No major music festival in India and abroad is considered complete without his participation, for he is that rare figure who combines the divergent strains of artistic purity and expressive innovation. Raga Puriya Dhanashree This is an evening Raga derived from Thaat Poorvi (Parent Raga). All the seven notes are used i.e. it is a Sampoorna Raga. Second note (Rishabh) and sixth note (Dhaivat) are flat (Komal) whereas the fourth note (Madhyam) is sharp (Teevra). The fifth note (Pancham) is dominant (Vadi) whereas the first note (Sa) is subdominant (Samvadi). The basis mood of the raga is of longing, gentle persuation with a tinge of feeling of separation. Prelude: Alap, Jod, and Jhala movements in Raga Puriya Dhanashree. Compositions: Phase I (Slow Tempo) in Rupak taal, a rhythmic cycle of beats. Phase II (Medium Tempo) in Teen taal, a rhythmic cycle of beats. Phase III (Fast Tempo) in Teen taal, it is a faster version in beats. Pandit Shivkumar Sharma Recipient of Padmavibhushan and Sangeet Natak Academy Awards, Pandit Shivkumar Sharma, India's foremost performer on the Santoor, is known for making his concerts into exquisite and memorable events. From the meditative and delicate opening movements to the final crescento to rhythm and energy, he remains in perfect control of his instrument. With its many strings, the trapezodial santoor builds a vibrant texture of sound, the pure notes of the ancient Indian traditions ring out and tellingly express the full spectrum of human emotions. Pandit Shivkumar Sharma learned the santoor from his father, Pandit Uma Dutt Sharma, as well as the art of singing and drumming. Determined to adapt the subtle nuances and inflactions of Indian classical music to his instrument, he practised constantly developing a host of new techniques. Thus, his playing has not only an extraordinary versatility, but an expressive quality which has dazzled and captivated listeners around the world. No major music festival in India and abroad is considered complete without his participation, for he is that rare figure who combines the divergent strains of artistic purity and expressive innovation.
2007-02-03
2. An excellent performance - Shivkumar Sharma gives a masterly touch to the evening raga Puriya Dhanashree here. He is accompanied by Zakir Hussain on tabla. This was recorded in Stuttgart, Germany. Puriya Dhanashree is known for its peaceful and humbling effect and it is said to cure migraine. The second part of the album is "Pahadi", a light classical "Dhun" (means, song). It is lilting and very nice to listen to. Highly recommended.
2006-12-19
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